The definition of a bower  a pleasant  shady place under trees or climbing plants in a garden or forest  aptly describes this upliftingly rich design. Registered as a William Morris pattern in 1877  Bower depicts a floral wonderland of foliage and flowers ripe with life. The Bough’s Green/Rose colourway is the closest to the joyous original  whilst Indigo and Barbed Berry/Indigo offer moodier and cooler hues respectively with Herball/Weld being a happy mid-tone.

Available in four colourways: Bough’s Green-Rose  Herball/Weld  Indigo and Barbed Berry/Indigo

Bursts of vivid multicolour please the eye at every turn in this newly embroidered fabric version of Morris & Co.’s earliest wallpaper (1864)  Daisy. Hand-knotted finishes to the floral detailing couple with chunky stitching help to convey a crafted  tactile feel on a 100% linen base cloth. What makes Daisy so iconic are the sprays of floral miniatures inspired by William Morris’s visits to the British Museum’s illuminated manuscripts  creating a design which looks back on centuries of craftwork.

Today’s Daisy Embroidery takes as its source the Daisy wallpaper featured in the Arts & Crafts home of noted typographer  book printer and friend of Morris  Sir Emery Walker.

Available in one colourway: Cream Multi

In the bedroom of Emery Walker’s House lies a most incredible object  now interpreted by the Morris & Co. design studio; a crewel embroidered coverlet. Created by May Morris  daughter of William Morris  for Emery’s wife  Mary  during the last bedridden years of her life  it exemplifies May’s astonishing needlework abilities. It also stands as a beautiful tribute to the friendship enjoyed between the Morris and Walker women  and the creativity that love inspired. A treasured item  the coverlet was used as the pall on the coffin of many members of the Walker household.

May’s Coverlet is made using hand-guided embroidery on a 100% linen base cloth to carefully replicate the fine stitching pattern by May Morris.

Available in two colourways: Indigo/Rose and Twining Vine

This all time Zoffany classic has been repainted in a relaxed watercolour style. A hand drawn interpretation of an original document  its influences are thought to come from a late 19th century French artwork  painted to emulate earlier (17th to early 18th century) woven and embroidered textiles. Quirky and uplifting  Baroque-style scrolling foliage and stylised flowers give an overall effect that is rather grand  hence the name Pompadour. Produced on dual purpose 100% linen and printed in England.

Available in three colourways: Indigo  Mineral and Multi

Rose is a gorgeously layered design with sumptuous rearing tulip and rose heads and dramatic thorned stems. William Morris’s close observation of nature’s everyday dramas is evidenced here in the pair of cheerful birds that play among the thicket.

Originally designed by Morris as a furnishing fabric in 1883  Rose was widely used in the drawing room of Sir Emery Walker  the noted typographer and friend of Morris. Rose re-enters the Morris & Co. range for the first time in many years exclusively for the Emery Walker’s House collection.

Available in two colourways: Weld/Leaf Green and Bough’s Green/Rose (loyal to Emery’s original)

Depicting storks stood at the water’s edge and small birds perched on nearby branches  this design  which was originally a wallpaper  is believed to date between 1825 and 1850. Discovered hidden behind oak panelling at Temple Newsham in 1894  this version’s pictorial scene is framed by bamboo lattice work which amplifies the height of the design. Printed on fine cotton/linen twill. Pair with our Storks & Thrushes wallpaper panel.

Available in a Tuscan Pink/Cobalt colourway

A lovely decorative woven stripe in that goes with the entire Arboretum collection. Team with large or small-scale wallpaper for a statement look.

Available in four colourways: Mulberry/Blue  Linen/Moss  Indigo/Ivory and Rowan Berry/Cream